Remember Sunday is about Gus, a former astrophysicist who suffered a brain aneurism rendering him unable to remember subsequent memories after a night’s sleep, and Molly, a nice girl who works as a waitress while she waits for her pending inheritance.
Gus copes with his situation by reorienting himself every morning through files, post-its, and a portable audio recorder. His daily loss of actual memories alienates him from the people around him. He is kept in “romantic isolation.”
High School Musical is an original Disney television film that was released in 2006 on Disney Channel. It became a worldwide phenomenon which led to releasing a sequel on the following year and eventually a third movie that made it to the theaters. I chose this film because I was once an “HSM addict” and this time I want to view the text in a different lens using the theories we discussed in class.Continue reading High School Musical: A Structuralist and Psychoanalytic Analysis
Normality is disrupted when students in East High suddenly express realities about themselves which run counter to their perceived identity in high school. This ‘disruption’ to the status quo starts when Troy Bolton, East High’s top wildcat, auditions (and gets a call-back) for the Winter Musical. Indeed, Troy’s ‘revelation’ about his talent in singing influences all niche groups in school– jocks, nerds, and skaters alike to come clean about their hidden hobbies. These confessions intuitively add another layer to their seemingly defined character brought about by the invisible, yet clearly dominant identity politics in high school. This criticism, employing Psychoanalysis as its framework, seeks to analyze the defense mechanisms employed by select characters in the film after the break in normality. Aside from this, the paper also analyzes significant song numbers in the film which was highly elucidated the character’s subconscious. Continue reading “Sticking to the Status Quo”: Analyzing the Defence Mechanisms Employed by Select characters in High School Musical
Films are traditionally found in movie theaters. People wait for the actual showing date and fall in line for tickets just to see a movie. But with the advent of technology, films, like all other art forms, are made available almost everywhere. Films can now be seen on TV. Programs such as documentaries emerged. Films can also be downloaded and viewed online through sites such as Youtube and Vimeo. Even through mobile phones, applications have this feature.
“Based on an Untrue Story” chronicles a woman’s search for a cure to her rare disease and, in the process, her reconciliation with a family she never knew she had. The film also plays with as many made-for-TV-movie tropes as it can find.
Main character Satin Chau exhibits well-meaning cluelessness and self-centeredness with her interpersonal relationships. This is in concurrence with her denial and/or willful ignorance of reality. Satin Chau acts as the biggest trope in the movie, played out to extremes.
If These Walls Could Talk (1996) was a trilogy of how three different women dealt with unwanted or unplanned pregnancy and how they thought of abortion as the solution. The stories transpired in the same house but in three different decades, 50’s, 70’s, and 90’s, reflecting the different social views of abortion in each period. Continue reading If These Walls Could Talk